Karol G releases "Latina Foreva" and social media erupts: "It sounds like a song by Yailin."

Karol G surprises with "Latina Foreva," a track that blends classic reggaeton with modern pop. The video, filmed in California, showcases diversity and female empowerment, generating divided opinions.


Karol G has set the stage ablaze with her new track "Latina Foreva", an explosion of rhythm and empowerment that brings her back to the center of the music scene. With this release, the Bichota embarks on a new artistic journey following the global success of Mañana será bonito, doing so with all the flavor and strength of classic reggaeton fused with modern pop.

The music video, directed by Pedro Artola and filmed in the snowy mountains of California, is as provocative as it is aesthetic. Karol appears surrounded by women who defy the cold with attitude and inner fire, while the color orange — a symbol of this new era — marks every shot. “New single, new era,” the artist wrote alongside an image where she poses nude with only a pair of ski boots.

Musically, the song is a tribute to the strength and diversity of Latina women. The track celebrates roots and sensuality, with lyrics that repeat “teta y nalga” as a danceable mantra. A message that for many represents bold empowerment… and for others, controversy.

The networks exploded after the premiere. Some comments celebrated the energy of the song: “The queen of this industry is back”, “A domi who moves it well, I loved it”, “What a great day to be Veneca”. Nationalist excitement was common: “Now everyone wants a Colombian, a Puerto Rican, a Venezuelan.”

But there were also those who expressed disappointment and made unexpected comparisons. Comments like “Did the Cuban woman stay in Cuba?”, “We love you, but that lyric isn’t the only thing that represents Latina women” or “Latina Foreva reduces women to physical attributes” sparked a debate about the boundaries between sensuality and objectification.

Several users mentioned that the visual and lyrical content of the video resembles Yailin's style, stating that "it feels more like a Yailin song than a Karol song" or that "this is just as vulgar as what Yailin does." Others recalled the contrast with her recent documentary: "Everything you taught about valuable women is thrown away with this song."

Even so, Karol G does not go unnoticed. Among those who praise her as the best and those who criticize the theme’s approach, "Latina Foreva" is already trending, has ignited the summer, and has everyone across the continent talking—and dancing. Because one thing is clear: when Karol goes all in, she does so fearlessly… and with the intensity turned up to the max.

And what do you think of Karol G's new release?

Frequently Asked Questions about "Latina Foreva" by Karol G

What theme does Karol G's new song "Latina Foreva" address?

The theme of "Latina Foreva" revolves around the empowerment and diversity of Latina women, celebrating their roots and sensuality. The song blends classic reggaeton with modern pop and carries a message of unapologetic female strength.

How has the music video for "Latina Foreva" been received by the audience?

The music video has generated mixed reactions. Some praise its energy and provocative aesthetic, while others criticize that the lyrics and visual content reduce women to physical attributes, comparing it to Yailin's style.

What is the symbolism of the color orange in Karol G's new era?

The color orange symbolizes fire, strength, and rebirth in Karol G's new era, known as the "Orange KarolEra." This color dominates her current visual identity, marking a shift from the previous cycle characterized by pink tones.

What criticism has Karol G received for "Latina Foreva" in relation to her documentary on Netflix?

Several users have pointed out a contradiction between the message of female empowerment presented in your documentary and the approach of "Latina Foreva". Some critics believe that the song undermines the inspiring message of the documentary.

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Izabela Pecherska

Editor at CiberCuba. Graduated in Journalism from the Rey Juan Carlos University of Madrid, Spain. Editor at El Mundo and PlayGround.