Omara Portuondo Peláez is one of the most important Cuban feeling singers of all time. She was born in Havana, Cuba on October 29, 1930.
Her mother was from a Cuban family of noble descent with Spanish ancestry, and a marriage was expected to connect her with other families in society. However, she eloped with the man she loved, a baseball player from the national team. The marriage produced three daughters, and like in any Cuban home, there was music; they had no money, but they had the voices of their parents singing in the kitchen as they went about their daily lives. Omara, who was born in the Cayo Hueso neighborhood of Havana, remembers those songs, including among her favorites "La bayamesa" by Ernesto Grenet and Sindo Garay (also sung by Compay Segundo in Buena Vista Social Club). These were her first informal singing lessons, and those songs became a part of her lifelong repertoire.
When her sister Haydée became a dancer at the famous cabaret Tropicana, Omara soon followed her, almost by accident: the dance company was short one member one day in 1945 when a dancer withdrew two days before an important premiere. Omara had watched her sister rehearse so often that she knew all the steps, so they asked her to fill the vacant spot. “It was a very chic cabaret, but I said it was unacceptable,” Omara recalls. “I was very shy and felt embarrassed to show my legs.” But her mother convinced her by saying that she couldn't let them down; thus began her career as a dancer, becoming a famous duo with dancer Rolando Espinosa.
On weekends, Omara and Haydée sang jazz standards with some friends: César Portillo de la Luz, José Antonio Méndez, and the pianist Frank Emilio Flynn. They called themselves Loquibambla Swing, and the style they performed, a Cubanized version of bossa nova with jazz influences, became known as “feeling” or, in a more Spanish adaptation, “filin.” In her radio debut, Omara was introduced as Omara Brown, the girlfriend of filin. That stage name was soon forgotten, but not the definition that came with it.
In 1950, she was a member of the Anacaona Orchestra, and by 1952, Omara and her sister Haydée Portuondo formed a female vocal quartet with Elena Burke and Moraima Secada, led by pianist Aída Diestro. They became one of the most important vocal quartets in Cuban music, and Omara remained with the quartet Las De Aída for 15 years, although the original lineup only recorded one album for RCA Victor in 1957. They toured extensively across America with innovative vocal arrangements by Aída; they had the opportunity to share stages with Édith Piaf, Pedro Vargas, Rita Montaner, Bola de Nieve, and Benny Moré and also served as the backing musicians for Nat King Cole when he performed at Tropicana.
He debuted as a solo artist with the album "Magi negra," released in 1959, which blends Cuban music and jazz and includes covers of "That Old Black Magic" and "Caravan" by Duke Ellington. He then continued with "Las De Aída" until 1967, the year he finally dedicated himself to his solo career, performing in Cuba and at several international festivals representing the country.
In the 1970s, she sang with the Orquesta Aragón and traveled extensively, performing in various countries such as France, Japan, Belgium, Finland, and Sweden. Omara made many recordings over the following two decades; however, the standout is the album she recorded with Adalberto Álvarez in 1984 and two others made for the Spanish label "Nubenegra": "Palabras" and "Desafíos."
The Cuban director Fernando Pérez Valdés made a documentary about the singer titled Omara in 1983.
In 2000, World Circuit released Buena Vista Social Club presents... Omara Portuondo, the third album by this ensemble, which featured musicians such as Rubén González, Orlando ''Cachaíto'' López, Manuel ''Guajiro'' Mirabal, and Jesús "Aguaje" Ramos, as well as guest appearances by artists like Eliades Ochoa, Compay Segundo, Manuel Garban, and Ibrahim Ferrer.
The album, met with high praise from critics, led Omara on a world tour in 2000-2001 with her Buena Vista colleagues, Rubén González and Ibrahim Ferrer.
In 2002, he embarked on an extensive solo international tour, with numerous dates in North America and Europe. In the fall of that same year, he participated in the Jazz Festival in Japan.
In 2003, he/ she went on a tour of Canada and the United States.
In September 2003, he recorded at the EGREM studios what would become his second solo album produced by World Circuit.
The album Flor de amor marks a change in direction, with Cuban musicians teamed up with a selection of Brazilian artists, giving the record a distinct sound.
On November 5, 2009, she won the Latin Grammy Award in the category of Best Contemporary Tropical Album with Gracias, but what is significant is that she became the first Cuban artist residing in her country to win this prestigious award and collect it with her own hands. In the album, Omara takes a journey through her 60 years of artistic career, featuring special appearances by the Cubans Silvio Rodríguez and Pablo Milanés, the Uruguayan Jorge Drexler, and the Brazilian Chico Buarque.
In 2010, she recorded a song for the Spanish version of the movie The Princess and the Frog, translated as Taina y el sapo, by Walt Disney, performing a song by the elderly Mama Odie: Dig a Little Deeper. For the soundtrack of the Latin American version, titled La princesa y el sapo, she did not record any.
In September 2020, she was nominated for her album *Mariposas* for the award of 'Best Contemporary Tropical/Fusion Album' at the 2020 Latin Grammy Awards.
In October 2020, in celebration of her 90th birthday, Portuondo offered an online concert alongside flutist Ethiel Faílde, where she performed songs such as "20 años" and "Dos Gardenias," which have been so important in her musical repertoire over the years.
