The Cuban music critic Guille Vilar shared his opinion on reggaeton, one of the most listened-to styles among young people in Cuba today.
"I believe that those who enjoy reggaeton have the right to do so, as long as they don't bother me," said Vilar, who does not consider himself a fan of this artistic expression but defends each generation's right to have its own music.
Regarding the lineup, he stated that it has elements that differentiate it from traditional reggaeton. “It is a superior manifestation. I have listened to tracks by El Taiger and Bebeshito that, although they use the same rhythmic base, incorporate real instruments like keyboards and flutes. Moreover, they sing better and the lyrics are different, at least in what I have heard.”
Vilar also encouraged the artists in the cast to grow and improve as creators. “Every generation has its music. If the cast is the first thing you consciously listen to, that will be your music. What I wish for them is to seek quality and earn the respect of Cubans,” he expressed.
A musical phenomenon that also generates controversy
The statements of the Cuban critic were presented on the government-friendly program Mesa Redonda, which dedicated an episode to the impact of the distribution on Cuban society, analyzing its cultural, social, and political effects.
The space featured images of artists such as El Taiger, Oniel Bebeshito, Ja Rulay, Charly & Johayron, Velito el Bufón with Alexander Abreu, Chocolate MC, Lenier Mesa, Dany Ome, and Kevincito el 13, although the experts refrained from mentioning them directly.
Several people interviewed on the streets of Havana agreed that many reggaeton lyrics are inappropriate and that the phenomenon "is getting out of hand." However, they acknowledged that some artists have improved their lyrics.
Is reparto a musical genre?
The musicologist Lea Cárdenas explained that the Cuban academy has not yet defined whether "reparto" can be considered a musical genre, as it takes years to establish clear characteristics and a distinct rhythmic structure.
The genre emerged around 2010 as an evolution of Cuban reggaeton, with songs like "El Guachineo" and "Bajanda" by Chocolate MC. The musicologist stated that it is an indigenous expression, connected to Cuba's popular dance music.
Frequently Asked Questions about the Impact of Distribution in Cuba
What is the "reparto" genre in Cuban music?
The "reparto" is a subgenre of reggaeton that emerged in Cuba around 2010 as an evolution of Cuban reggaeton. It is characterized by explosive rhythms and lyrics that reflect daily life, blending urban music, reggaeton, and Cuban son. Although it is not yet officially recognized as a musical genre by the Cuban academy, it has gained popularity for its ability to connect emotionally with young people and its infectious rhythm.
Why does the distribution generate controversy in Cuba?
The genre generates controversy in Cuba due to its explicit lyrics and often vulgar language, which some deem inappropriate. The Cuban government has maintained an ambiguous stance, acknowledging the cultural impact of the genre while refraining from both its demonization and uncritical glorification. The genre reflects social issues present on the island, such as the economic and educational crisis, and its discussion has become a political act.
How has the rationing impacted Cuban society?
The distribution has a strong impact on Cuban society, especially among the youth, who see it as an expression of identity and cultural resistance. Despite criticisms of its lyrics and content, the distribution has managed to infiltrate all social classes in Cuba, becoming a cultural phenomenon that reflects and sometimes challenges the country's social reality.
What sets the traditional reggaeton cast apart?
The ensemble differs from traditional reguetón due to the incorporation of real musical instruments and an improvement in the vocal quality of some artists. Artists like El Taiger and Bebeshito have innovated by using keyboards and flutes in their productions, which has allowed them to create a distinctive sound that some consider a higher evolution within the Cuban urban genre.
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