A video of Cuban reggaeton artist Ya Ice Dilan recording vocal support a cappella in a studio alongside El Micha has gone viral on social media, sparking intense debate among fans of the urban genre.
In the images shared on TikTok, the artist can be seen isolating the sounds that later become part of his songs, with phrases like “Hey, let’s go over there, 1, 2, 3, fire,” which usually go unnoticed in the final mix.
The clip has drawn attention for showcasing the creative process behind these so-called "supports," rhythmic and vocal elements that add energy and structure to urban tracks. Many users noted that, despite how unusual it sounds without production, the final result in the songs is effective.
Opinions have come in swiftly. While some internet users described the moment as strange or even chaotic, others defended the technique as an essential part of the genre.
Comments such as "what a kind of madness" or "what is this?" contrast with others that praise the final result: "the best part is that the beat is amazing" or "it's the first time I've heard some backing vocals that don't sound bad, that's quite an achievement."
There were also those who compared this style to that of other artists in the genre, noting that figures like Jorge Junior have used this type of resource for years without facing similar criticism.
The video provides an unconventional look at the studio work of urban artists, where elements that may seem simple or repetitive are key to building the rhythm and identity of a song.
Beyond the controversy, the content has helped bring the audience closer to the creative process of reggaeton and highlighted that many of the details that define a musical hit go unnoticed by the average listener.
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