Sandro Castro gains prominence in the international press: Who is he speaking to about Cuba?



Sandro CastroPhoto © Instagram Sandro Castro

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Sandro Castro has stopped being just a controversial figure on social media to become a recurring presence in interviews, headlines, and debates about Cuban reality in the international press.

His speech has evolved, his media presence has expanded, and he has begun to engage freely in commenting on political issues regarding the future of Cuba.

His projection in the media does not evoke a supposed maturity as an influencer nor depth of ideas in his discourse. Anyone who sees Sandro Castro knows what his intellectual limits are, his diction issues, and his interests as a human being.

However, in his interventions, there are elements aimed at capturing the attention of a very specific audience, suggesting that Sandro may have the mission of influencing international public opinion regarding a potential political transition in Cuba.

History of controversies surrounding this international media personality

Sandro Castro used to lead a discreet life on social media until 2021, when a video of him driving a Mercedes-Benz leaked and went viral. It had such an impact among Cubans that for the first time a Castro came forward to apologize to the people, claiming that he was "just a simple young man".

That event brought him into the spotlight, but rather than disappearing from social media, he chose to "open up the game" on those platforms. Subsequent reports highlighted his luxurious lifestyle in Cuba, in contrast to the extreme poverty growing in the country.

The next step was his participation in promotional campaigns for Cristal beer, a flagship beverage in Cuba, which was going through a period of low popularity and being overshadowed by other beers with more competitive prices in the struggling national market.

Sandro's mission was to make it fashionable, and presumably he succeeded by employing a key strategy: changing the names of things. Now they call it "Cristach."

At the same time, cosplay videos began to arrive, which allowed them to advance their double entendre speeches, create characters, mingle with people who are not necessarily from their generation but younger, and stand out in the ecosystem of Cuban influencers.

It has politically influential haters in Cuba, such as Gerardo Hernández, El Necio, or the official intellectual Ernesto Limia, who openly called him "an idiot". He also receives thousands of supportive comments, to the point that a slogan became popular on social media saying "Sandro for president".

About this topic, he replied: “That requires a preparation that I do not have, but for my country, I would do anything as long as the people agree.”

During the past year, Sandro Castro has appeared in international media, marking a qualitative leap in his public exposure. Newspapers such as Deutsche Welle, El País, and Corriere della Sera have focused on his figure, describing him as a symbol of the privileges of the Cuban elite amid the crisis.

He has also given interviews to the Argentine channel TN, where he attempted to distance himself from any connection to the regime. “I don't get involved in politics,” he stated, while defending his "entertainment" content and highlighting himself as an "entrepreneur in the private sector in Cuba."

In that role, he has also promoted campaigns, such as the one to lower the price of the dollar in the black market, which caught the attention of Cubans, received support on social media, and served as a precursor for the regime to impose the "floating rate" for currency exchange.

Recently, his statements have started to focus on the structural issues of the country and broke through to the U.S. press. He granted interviews to CNN, NBC, and Telemundo. In these appearances, he claims to be a humble person, living off his businesses, and wishing the best for Cuba, which he believes means economic changes and prosperity: "I want what everyone wants, a free market."

Sandro speaks openly about the need for "profound changes" in the country and expresses his views against the government in a tone that combines criticism while also showing "respect for the authorities because I live in Cuba".

What started as a specific controversy over his ostentation driving a Mercedes-Benz amidst the Cuban crisis evolved into a strategy of constant visibility, ultimately reaching the most important media outlets to speak directly to the audience in the United States.

From entertainment to the political arena

The most significant shift has occurred recently, when Sandro Castro began addressing political topics in his humor videos. He has criticized the government's management, mocked political leaders, and publicly questioned Miguel Díaz-Canel.

This is unusual within the Cuban media system, where criticism of the government and its leaders is punished with years in prison and hefty fines. Sandro Castro expresses ambiguous positions, even direct and uncomfortable ones for the regime, without facing repercussions, which reinforces the perception that his role on social media is not entirely spontaneous. There could be an underlying strategy at play.

His current speech follows a calculated line: he acknowledges problems, suggests changes, but avoids a direct break with the regime. This ambiguity allows him to occupy a space that few can navigate within Cuba.

"Here we sometimes have an internal mental block that affects us enormously. It nearly harms us as much as the external blockade from the United States," Sandro said recently. He frequently reiterates this structure of criticism–victimhood–subtle attack in his interviews.

"Yes, I would support the capitalist transition, and many people would too because there is a large private sector in Cuba (...). There needs to be a free market to grow more quickly," are some of his recent comments.

The audience to whom he/she speaks

Sandro Castro's message does not seem aimed at the traditional opposition or at citizens who are openly critical of the regime. His discourse, aesthetic, and platforms target a more specific audience: young Cubans who consume digital content, seek entertainment, and, in many cases, prefer evasion or silence over political confrontation.

It also connects with disenchanted, but not radicalized, sectors that acknowledge the country's crisis without aligning themselves with positions of rupture. For them, Sandro offers a middle-ground narrative: he recognizes problems, but does not challenge the structures of power. He talks about supporting change, but never about overthrowing the regime.

In that balance lies the key to his impact. Sandro Castro does not mobilize, but he influences. He does not lead, but he introduces topics into the debate. And above all, he does not confront directly, but he helps shape a conversation that until recently seemed unthinkable within certain margins in Cuba.

"There are people here who have a communist mindset, and many people in Cuba think in a capitalist way. There are many individuals here who want to pursue capitalism with sovereignty." This message is clear; it speaks to the diversity present in the Cuban landscape and shows the world that there is a sector ready for political transition.

In a country where open criticism often leads to repression, Sandro Castro's visibility and maneuvering space in the international press cannot be understood as a casual, spontaneous, or isolated phenomenon.

In a Cuba characterized by control, even what seems improvised often follows a calculated logic.

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Gretchen Sánchez

Branded Content Writer at CiberCuba. PhD in Sciences from the University of Alicante and Bachelor's degree in Sociocultural Studies.