The Cuban musician Cándido Fabré reacted this Monday to the controversy that has sparked on social media since the producer Roberto Ferrante referred to El Bebeshito as a “great Cuban artist.”
His words, published on Facebook, were a direct message to those who have tried to compare the reggaeton artist to legends of popular music.
I just read the most repugnant lack of respect in my life on social media," began Fabré, making it clear that he does not question the success of the urban performer, but he does reject comparisons that place him on the level or above giants like Benny Moré, Celia Cruz, or Ismael Rivera.
The veteran composer and singer recalled that he backed El Bebeshito when others predicted his failure.
“I’m glad. I believed in him when another wave predicted his failure at the Miami stadium. I made a song for him: El Bebeshito la pega toa, and it was a hit, it broke records and continues to resonate,” he wrote.
However, he emphasized that this support does not mean endorsing comparisons with artists who, in his view, transcend time and trends: "But not to compare him, much less to place him above Benny Moré, Celia Cruz, Ismael Rivera... they are among the indelible figures who transcend borders, cultures, languages."
Fabré expressed his wish for the young reggaeton artist to establish himself in the industry: "I hope our BB achieves greatness and that history grants him a line in the book of the immortals, who are the beacon, light, and guide of Latin American popular music."
"However, he insisted: 'I demand respect for the greats of the world. Don't confuse them. They are not just trends, they are eternal, like the Beatles.'"
His statements come amid a debate that has sparked multiple reactions on social media and in the press.
The trigger was Ferrante's statement, who in recent interviews defended El Bebeshito as a “great Cuban artist” and celebrated his impact on the urban genre.
The phrase sparked a flood of comments, among supporters and critics, who quickly recalled historical figures such as Moré, Cruz, Rivera, and other icons of Latin music.
In recent days, various articles and analyses have discussed Ferrante's career, the rising trajectory of El Bebeshito, and the controversy around how today's musical achievements are measured against the indelible mark left by the greats.
Fabré, with more than four decades of career and recognition as one of the most prolific improvisers in Cuba—also noted for his adherence to officialdom—has made it clear that, for him, history and artistic eternity are not granted by fleeting trends, but rather by a body of work that transcends generations.
Frequently asked questions about the controversy surrounding El Bebeshito and the comparisons to legends of Cuban music
Why does Cándido Fabré criticize comparisons of El Bebeshito with Benny Moré and Celia Cruz?
Cándido Fabré criticizes comparisons because he believes that figures such as Benny Moré and Celia Cruz are unforgettable and transcend time and trends. Fabré acknowledges the success of El Bebeshito in urban music, but insists that he should not be compared to legends of popular music who have an everlasting legacy.
What was El Bebeshito's reaction to Roberto Ferrante's statements?
El Bebeshito did not make any public statements, but he liked Ferrante's post on Instagram, which was interpreted as a gesture of support and gratitude towards his producer. This action was seen as a way to show complicity without fully engaging in the controversy.
Who is Roberto Ferrante and why did his statements create controversy?
Roberto Ferrante is a music producer and CEO of Planet Records, known for his controversial statements in which he called El Bebeshito "the greatest Cuban artist of all time." Born in Naples, Ferrante has been a key player in Latin urban music, and his remarks go beyond mere promotion, sparking an intense debate about the Cuban musical legacy.
What impact did Cándido Fabré's message have on public opinion?
The message from Cándido Fabré reinforced the respect for the legends of Cuban music and made it clear that, for many people, comparisons between El Bebeshito and figures like Benny Moré and Celia Cruz are inappropriate. His statements were applauded by those who defend the unparalleled legacy of these historical artists.
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