The Cuban actor Roberto Perdomo moved the audience with his performance in this Friday's episode of the soap opera Regreso al corazón, where the farewell of his character, Joaquín, left thousands of viewers crying in front of the screen.
The scene, described by colleagues and viewers as one of the most intense in recent fiction on the island, has become a phenomenon of collective emotion.
From the very first moment it aired, the sequence triggered a wave of reactions that flooded social media and fan groups.
Many viewers agreed that it had been years since they experienced such a heart-wrenching moment in a Cuban soap opera, with several even admitting to changing neighborhoods just to watch the episode due to the blackouts affecting the country.
"You have no right to make a country cry," wrote a viewer, thanking the actor for his moving performance through her tears.
The specialized portal CubaActores rated the scene as "magnificent and profoundly human", asserting that Perdomo once again proved why he is regarded as one of the great performers of Cuba.
"It has transcended the screen… the fact that an entire community has mourned their departure in fiction is the greatest recognition an actor can receive," they stated.
The actress Dalia Yacmell, a fellow cast member, also shared heartfelt words for the actor: “Yesterday once again you gave us another masterclass in acting. How fortunate are those of us who can learn from you and have you close,” she expressed, referring to the scenes shared between the characters Silene and Joaquín.
A story that stirred personal memories
The audience's reactions have been particularly intense because the scene reminded many of the loss of loved ones, creating a deep emotional connection with Joaquín's character.
"I had never suffered and cried so much with a novel... this scene is a blend of emotions and art," wrote another viewer, who thanked Perdomo for "uplifting Cuban television" and for bringing back the excitement of anticipating each episode.
The actor's performance was described as a reality, not an act, according to another viral comment: “You were not Roberto Perdomo, you were Joaquín.”
With this chapter, Perdomo reaffirms his position as one of the most respected and beloved figures in Cuban television. His dedication and interpretative sensitivity have left an imprint on Regreso al corazón that fans now consider unforgettable.
As viewers continue to share snippets and messages of appreciation, the scene stands out as one of the most memorable moments in recent national fiction and a testament to the talent that continues to define Cuban audiovisual production.
Filed under: