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Luis Manuel Otero on the topic Homeland and Life: It is making people cry inside and outside of Cuba

Otero Alcántara assured that people in Cuba were listening to the song and that they were "super excited."


This article is from 3 years ago

The Cuban artist Luis Manuel Otero Alcántara, leader of the San Isidro Movement, commented that the musical theme "Homeland and Life" It is making people cry inside and outside of Cuba.

For Otero Alcántara this song is important "as an object, as a video, as connectivity", since it "represents a unique moment."

The artist was grateful that musicians like Gente de Zona, Yotuel, Descemer or Maykel Osorbo came together to make a song, because they influence the Cuban reality with their way of doing things, with their history.

He also added that it is important that "each one unites with their aesthetics to be music, and achieve something energetic that today is making people cry both inside and outside of Cuba," he said.

Otero Alcántara assured that people in Cuba were listening to the song and that they were "super excited", because it is a song that gives people a breath of faith and hope.

The leader of the San Isidro Movement said he was happy and grateful for having been part of the video clip for Patria y Vida, by director Asier Babastro, which was released on Tuesday night.

The song was released this Tuesday and has impacted many people both inside and outside the Island.

“It's over, it's over, 60 years of locked dominoes,” says the chorus of a song that talks about the sad Cuban reality.

The rapper Maykel Osorbo, one of the participants, said of this musical collaboration: “The beautiful thing about this is that people are connecting, the topic was made and they are being heard. Now we are going to start filming all the people who listen to the song here in the neighborhoods of Havana, because we are really achieving things. The song was for all of you, I feel very proud of what we have done.”

Alexander Delgado, from the duo Gente de Zona, expressed that The song reflects the feelings of many Cubans outside and inside the island, of many who are afraid to express themselves as they once did.

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