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A Sandro Castro holds the crown of the silly influencer that no one can take away, not even 'Gerardito PKM', who is making efforts to surpass the foolishness of the dictator's grandson Fidel Castro, who is even appearing in the pages of the New York Times.
Gerardo Hernández Nordelo, national coordinator of the Committees for the Defense of the Revolution (CDR) and a failed spy, published on Wednesday on his X and Facebook profiles photos of himself riding a bicitaxi in the Havana neighborhood of La Güinera, alongside a woman dressed in white identified as 'Ileana La Madrina'.
The clowning around of the cederista ended up on social media from CiberCuba and immediately sparked a wave of mockery on social media, with one comment standing out, pointing directly at the "king of the Havana night" and owner of Bar EFE: "Competing with Sandro".
The mentioned individual couldn't contain themselves and also commented on the Instagram of the outlet that leads the "cognitive war" against Castroism, perhaps recalling that, some time ago, the top cederista had already taken a jab at them through an intermediary.
"Now he wants to imitate me with the tricycle," said Sandro, retaliating against the subordinate who crawled at his grandfather's feet and now frequently visits Ileana, 'La Madrina in La Güinera', perhaps fearing the tasks that Marco Rubio keeps in his nganga.
The choice of Gerardo's setting did not go unnoticed: La Güinera was one of the epicenters of the protests on July 11, 2021, the largest anti-government demonstrations in Cuba in decades.
The immediate background that turned the publication into a blank comparison was the recent prominence of Sandro Castro with three-wheeled vehicles.
On March 14, Fidel's grandson released a satirical video filmed in Vedado alongside an impersonator of Donald Trump, where he was seen riding an electric tricycle while the character of Trump (played by Roberto Ferrante) suggested 'buying Cuba'.
Both Hernández Nordelo's and Sandro's "creativity" shape the hypocrisy and disdain typical of the figures of power in a grotesque regime that is moving towards its final decomposition.
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