Ana Celia de Armas Caso is a prominent Cuban actress born in Santa Cruz del Norte, Havana Province (now Mayabeque), on April 30, 1988.
Trained at the National School of Art in Cuba, she began her film career with the movie Una rosa de Francia (2005) when she was just 16 years old. Her rise to fame came with the Spanish series El Internado (2007), where she captivated audiences with her performance.
Since then, her journey has been unstoppable. She participated in series like Hispania (2010-2011) and in films such as Mentiras y gordas (2009) and Por un puñado de besos (2014). In 2014, she decided to move to Hollywood, where her career took on an international dimension with prominent roles in Knock Knock (2015) alongside Keanu Reeves and Hands of Stone (2016), sharing the screen with Robert De Niro.
Her global recognition came with Blade Runner 2049 (2017), where she played Joi, a role that earned her a nomination for the Saturn Award for Best Supporting Actress. In 2019, she solidified her status as a star with Knives Out, receiving nominations for a Golden Globe and a Satellite Award.
In 2022, her performance in Blonde, where she portrayed Marilyn Monroe, was critically acclaimed and earned her an Oscar nomination for Best Actress. Additionally, she stood out in the James Bond saga with No Time to Die (2021).
In her personal life, Ana has been the center of attention due to her relationships and statements. Recently, she has made headlines for her romance with Manuel Anido Cuesta, the stepson of Cuban leader Miguel Díaz-Canel. This connection has sparked controversy among the Cuban diaspora due to the political and social implications of the relationship.
Ana de Armas is the ambassador for prestigious international brands such as Louis Vuitton and Estée Lauder. However, her collaborations with these companies have faced criticism due to her personal connections and her silence regarding the situation in Cuba. Despite the controversy, the actress continues to shine in the film industry and in her role as a public figure.
